Anthony Hope

Tales Of Two People Anthony Hope

He started life or was started in it in a series of surroundings of unimpeachable orthodoxy Eton, Christ Church, the Grenadier Guards. He left each of these schools of mental culture and bodily discipline, not under a cloud that metaphor would be ludicrously inep but in an explosion. That, having been thus shot out of the first, he managed to enter the second that, having been shot out of the second, he walked placidly into the third that, having been shot out of the third, he suffered no apparent damage from his repeated propulsions these are matters explicable only by a secret knowledge of British institutions. His father was strong, his mother came of stock even stronger; he himself Ambrose Caverly as he then was was very popular, and extraordinarily handsome in his unusual outlandish style. His father being still alive and, though devoted to him, by now apprehensive of his doings his means were for the next few years limited. Yet he contrived to employ himself. He took a soup-kitchen and ran it; he took a yacht and sank it; he took a public-house, ruined it, and got himself severely fined for watering the beer in the Temperance interest. This injustice rankled in him deeply, and seems to have permanently influenced his development. For a time he forsook the world and joined a sect of persons who called themselves "Theophilanthropists" and surely no man could call himself much more than that? Returning to mundane affairs, he refused to pay his rates, stood for Parliament in the Socialist interest, and, being defeated, declared himself a practical follower of Count Tolstoy. His father advising a short holiday, he went off and narrowly escaped being shot somewhere in the Balkans, owing to his having taken too keen an interest in local politics. (He ought to have been shot; he was clear-and even vehement-on that point in a letter which he wrote to The Times.) Then he sent for Leonard Stabb, disappeared in company with that gentleman, and was no more seen for some years.