Louisa May Alcott

Under the Lilacs Louisa May Alcott

There was another interesting feature of the scene which would have puzzled any but those well acquainted with the manners and customs of dolls. A fourteenth rag baby, with a china head, hung by her neck from the rusty knocker in the middle of the door. A sprig of white and one of purple lilac nodded over her, a dress of yellow calico, richly trimmed with red-flannel scallops, shrouded her slender form, a garland of small flowers crowned her glossy curls, and a pair of blue boots touched toes in the friendliest, if not the most graceful, manner. An emotion of grief, as well as of surprise, might well have thrilled any youthful breast at such a spectacle; for why, oh! why, was this resplendent dolly hung up there to be stared at by thirteen of her kindred? Was she a criminal, the sight of whose execution threw them flat upon their backs in speechless horror? Or was she an idol, to be adored in that humble posture? Neither, my friends. She was blonde Belinda, set, or rather hung, aloft, in the place of honor, for this was her seventh birthday, and a superb ball was about to celebrate the great event. All were evidently awaiting a summons to the festive board; but such was the perfect breeding of these dolls, that not a single eye out of the whole twenty-seven (Dutch Hans had lost one of the black beads from his worsted countenance) turned for a moment toward the table, or so much as winked, as they lay in decorous rows, gazing with mute admiration at Belinda. She, unable to repress the joy and pride which swelled her sawdust bosom till the seams gaped, gave an occasional bounce as the wind waved her yellow skirts, or made the blue boots dance a sort of jig upon the door. Hanging was evidently not a painful operation, for she smiled contentedly, and looked as if the red ribbon around her neck was not uncomfortably tight; therefore, if slow suffocation suited her, who else had any right to complain? So a pleasing silence reigned, not even broken by a snore from Dinah, the top of whose turban alone was visible above the coverlet, or a cry from baby Jane, though her bare feet stuck out in a way that would have produced shrieks from a less well-trained infant.