George Eliot

Brother Jacob George Eliot

Brother Jacob is Eliot's literary homage to Thackeray, a satirical modern fable that draws telling parallels between eating and reading. Revealing Eliot's deep engagement with the question of whether there are 'necessary truths' independent of our perception of them and the boundaries of art and the self. Among the many fatalities attending the bloom of young desire, that of blindly taking to the confectionery line has not, perhaps, been sufficiently considered. How is the son of a British yeoman, who has been fed principally on salt pork and yeast dumplings, to know that there is satiety for the human stomach even in a paradise of glass jars full of sugared almonds and pink lozenges, and that the tedium of life can reach a pitch where plum-buns at discretion cease to offer the slightest excitement? Or how, at the tender age when a confectioner seems to him a very prince whom all the world must envy-who breakfasts on macaroons, dines on meringues, sups on twelfth-cake, and fills up the intermediate hours with sugar-candy or peppermint-how is he to foresee the day of sad wisdom, when he will discern that the confectioner's calling is not socially influential, or favourable to a soaring ambition? I have known a man who turned out to have a metaphysical genius, incautiously, in the period of youthful buoyancy, commence his career as a dancing-master; and you may imagine the use that was made of this initial mistake by opponents who felt themselves bound to warn the public against his doctrine of the Inconceivable. He could not give up his dancing-lessons, because he made his bread by them, and metaphysics would not have found him in so much as salt to his bread. It was really the same with Mr. David Faux and the confectionery business.