Kathleen Canning

Weimar Publics / Weimar Subjects: Rethinking the Political Culture of Germany in the 1920s - Spektrum: Publications of the German Studies Association Kathleen Canning

Marc Notes: Includes bibliographical references (P. [383]-401) and index. Publisher Marketing: In spite of having been short-lived, "Weimar" has never lost its fascination. Until recently the Weimar Republic's place in German history was primarily defined by its catastrophic beginning and end - Germany's defeat in 1918 and the Nazi seizure of power in 1933; its history seen mainly in terms of politics and as an arena of flawed decisions and failed compromises. However, a flourishing of interdisciplinary scholarship on Weimar political culture is uncovering arenas of conflict and change that had not been studied closely before, such as gender, body politics, masculinity, citizenship, empire and borderlands, visual culture, popular culture and consumption. This collection offers new perspectives from leading scholars in the disciplines of history, art history, film studies, and German studies on the vibrant political culture of Germany in the 1920s. From the traumatic ruptures of defeat, revolution, and collapse of the Kaiser's state, the visionaries of Weimar went on to invent a republic, calling forth new citizens and cultural innovations that shaped the republic far beyond the realms of parliaments and political parties. Kathleen Canning is Arthur F. Thurnau Professor of History, Women's Studies, and German at the University of Michigan. She is the author of Languages of Labor and Gender: Female Factory Work in Germany, 1850-1914 (2nd ed., University of Michigan Press 2002) and Gender History in Practice: Historical Perspectives on Bodies, Class, and Citizenship (Cornell University Press 2006). She is currently a board member of Central European History and the Journal of Modern History. Kerstin Barndt is Associate Professor of German Studies at the University of Michigan. She is the author of Sentiment und Sachlichkeit. Der Roman der Neuen Frau in der Weimarer Republik (Bohlau 2004) and several articles on German modernism, gender theory, and the history of reading. Her current book project Exhibition Time. History, Memory, and Aesthetics in Germany focuses on contemporary exhibition culture against the backdrop of national unifi cation, migration, and deindustrialization. Kristin McGuire is a Research Fellow at the Institute for Research on Women and Gender at the University of Michigan and co-Director of the Global Feminisms Project based at the University of Michigan. She is the co-author of Global Feminisms through a Virtual Archive (SIGNS 2010). She is currently working on a book manuscript, Activism, Intimacy and Selfhood which offers a comparative historical analysis of women activists in Germany and Poland from 1890-1918; and co-editing a volume of translated essays entitled Women on Nietzsche, Gender, and Sexuality: An Anthology of European Women's Writings, 1880-1920. Cover image: Marianne Brandt, Es wird marschiert (1928) Review Citations:

Reference and Research Bk News 02/01/2011 pg. 29 (EAN 9781845456894, Hardcover)

Contributor Bio:  Canning, Kathleen Kathleen Canning is associate professor of History and Women's Studies at the University of Michigan. She is the author of "Languages of Labor and Gender: Female Factory Work in Germany 1850-1914 "(Cornell University Press, 1996) and is currently working on a new book, "Embodied Citizenships: Gender and the Crisis of Nation in Weimar Germany," Sonya O. Rose is Professor of History, Sociology and Women's Studies at the University of Michigan. She is the author of "Limited Livelihoods: Gender and Class in Nineteenth Century England" (University of California Press, 1992) and co-editor with Laura L. Frader, of "Gender and Class in Modern Europe" (Cornell University Press, 1996). She has recently completed work on a new book, "Which People's War? National Identity and Citizenship in World War II Britain" (forthcoming).