Alexandre Dumas

Twenty Years After Alexandre Dumas

Publisher Marketing: In a splendid chamber of the Palais Royal, formerly styled the Palais Cardinal, a man was sitting in deep reverie, his head supported on his hands, leaning over a gilt and inlaid table which was covered with letters and papers. Behind this figure glowed a vast fireplace alive with leaping flames; great logs of oak blazed and crackled on the polished brass andirons whose flicker shone upon the superb habiliments of the lonely tenant of the room, which was illumined grandly by twin candelabra rich with wax-lights. Any one who happened at that moment to contemplate that red simar--the gorgeous robe of office--and the rich lace, or who gazed on that pale brow, bent in anxious meditation, might, in the solitude of that apartment, combined with the silence of the ante-chambers and the measured paces of the guards upon the landing-place, have fancied that the shade of Cardinal Richelieu lingered still in his accustomed haunt. It was, alas! the ghost of former greatness. France enfeebled, the authority of her sovereign contemned, her nobles returning to their former turbulence and insolence, her enemies within her frontiers--all proved the great Richelieu no longer in existence. In truth, that the red simar which occupied the wonted place was his no longer, was still more strikingly obvious from the isolation which seemed, as we have observed, more appropriate to a phantom than a living creature--from the corridors deserted by courtiers, and courts crowded with guards--from that spirit of bitter ridicule, which, arising from the streets below, penetrated through the very casements of the room, which resounded with the murmurs of a whole city leagued against the minister; as well as from the distant and incessant sounds of guns firing--let off, happily, without other end or aim, except to show to the guards, the Swiss troops and the military who surrounded the Palais Royal, that the people were possessed of arms. The shade of Richelieu was Mazarin. Now Mazarin was alone and defenceless, as he well knew. "Foreigner!" he ejaculated, "Italian! that is their mean yet mighty byword of reproach--the watchword with which they assassinated, hanged, and made away with Concini; and if I gave them their way they would assassinate, hang, and make away with me in the same manner, although they have nothing to complain of except a tax or two now and then. Idiots! ignorant of their real enemies, they do not perceive that it is not the Italian who speaks French badly, but those who can say fine things to them in the purest Parisian accent, who are their real foes. Contributor Bio:  Dumas, Alexandre One of the most widely read French authors in history, Alexandre Dumas is best-known for his iconic classic The Three Musketeers, as well as for The Count of Monte Cristo, and the two Musketeer sequels Twenty Years After and The Vicomte de Bragelome: Ten Years Later. Dumas began his writing career as a successful playwright, and later evolved to writing magazine articles and travel books, before extending his talents to fiction. His work has been translated into over one hundred languages and has been the subject of nearly two hundred film adaptations that include talent as varied as Leonardo DiCaprio, James Whale, and Mickey Mouse.