Algernon Blackwood

The Damned Algernon Blackwood

Publisher Marketing: "I'm over forty, Frances, and rather set in my ways," I said good-naturedly, ready to yield if she insisted that our going together on the visit involved her happiness. "My work is rather heavy just now too, as you know. The question is, could I work there-with a lot of unassorted people in the house?" "Mabel doesn't mention any other people, Bill," was my sister's rejoinder. "I gather she's alone-as well as lonely." By the way she looked sideways out of the window at nothing, it was obvious she was disappointed, but to my surprise she did not urge the point; and as I glanced at Mrs. Franklyn's invitation lying upon her sloping lap, the neat, childish handwriting conjured up a mental picture of the banker's widow, with her timid, insignificant personality, her pale grey eyes and her expression as of a backward child. I thought, too, of the roomy country mansion her late husband had altered to suit his particular needs, and of my visit to it a few years ago when its barren spaciousness suggested a wing of Kensington Museum fitted up temporarily as a place to eat and sleep in. Comparing it mentally with the poky Chelsea flat where I and my sister kept impecunious house, I realized other points as well. Contributor Bio:  Blackwood, Algernon Algernon Henry Blackwood, CBE (14 March 1869 - 10 December 1951) was an English short story writer and novelist, one of the most prolific writers of ghost stories in the history of the genre. Though Blackwood wrote a number of horror stories, his most typical work seeks less to frighten than to induce a sense of awe. Good examples are the novels The Centaur, which climaxes with a traveller's sight of a herd of the mythical creatures; and Julius LeVallon and its sequel The Bright Messenger, which deal with reincarnation and the possibility of a new, mystical evolution in human consciousness.