John Ruskin

The Harbours of England John Ruskin

Publisher Marketing: Of all things, living or lifeless, upon this strange earth, there is but one which, having reached the mid-term of appointed human endurance on it, I still regard with unmitigated amazement. I know, indeed, that all around me is wonderful-but I cannot answer it with wonder: -a dark veil, with the foolish words, NATURE OF THINGS, upon it, casts its deadening folds between me and their dazzling strangeness. Flowers open, and stars rise, and it seems to me they could have done no less. The mystery of distant mountain-blue only makes me reflect that the earth is of necessity mountainous;-the sea-wave breaks at my feet, and I do not see how it should have remained unbroken. But one object there is still, which I never pass without the renewed wonder of childhood, and that is the bow of a Boat. Not of a racing-wherry, or revenue cutter, or clipper yacht; but the blunt head of a common, bluff, undecked sea-boat, lying aside in its furrow of beach sand. The sum of Navigation is in that. You may magnify it or decorate as you will: you do not add to the wonder of it. Lengthen it into hatchet-like edge of iron, -strengthen it with complex tracery of ribs of oak, -carve it and gild it till a column of light moves beneath it on the sea, -you have made no more of it than it was at first. That rude simplicity of bent plank, that can breast its way through the death that is in the deep sea, has in it the soul of shipping. Beyond this, we may have more work, more men, more money; we cannot have more mira Contributor Bio:  Ruskin, John John Ruskin ( 1819 - 1900) was the leading English art critic of the Victorian era, also an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects ranging from geology to architecture, myth to ornithology, literature to education, and botany to political economy. His writing styles and literary forms were equally varied. Ruskin penned essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. The elaborate style that characterised his earliest writing on art was later superseded by a preference for plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, and architectural structures and ornamentation. He was hugely influential in the latter half of the 19th century, and up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960s with the publication of numerous academic studies of his work. Today, his ideas and concerns are widely recognised as having anticipated interest in environmentalism, sustainability and craft.