Edgar Allan Poe

The Imp of the Perverse Edgar Allan Poe

Publisher Marketing: "The Imp of the Perverse" is a short story that begins as an essay written by 19th-century American author and critic Edgar Allan Poe. It discusses the narrator's self-destructive impulses, embodied as the symbolic metaphor of The Imp of the Perverse. The narrator describes this spirit as the agent that tempts a person to do things "merely because we feel we should not." The narrator explains at length his theory on "The Imp of the Perverse," which he believes causes people to commit acts against their self-interest. This essay-like discussion is presented objectively, though the narrator admits that he is "one of the many uncounted victims of the Imp of the Perverse." He then explains how his conviction for murder was the result of this. The narrator murders a man using a candle that emits a poisonous vapor. The victim enjoyed reading in bed at night and, using the candle for illumination, dies in his poorly-ventilated room. No evidence is left behind, causing the coroner to believe the man's death is an act of God. The narrator inherits the man's estate and, knowing he can never be caught, enjoys the benefits of his murderous act for many years. The narrator remains unsuspected, though he occasionally reassures himself by repeating under his breath, "I am safe." One day, he notes that he will remain safe only if he is not foolish enough to openly confess. In saying so, however, he begins to question if he is capable of confessing. He fearfully runs through the streets, arousing suspicion. When finally stopped, he feels struck by some "invisible fiend." He reveals his secret with "distinct enunciation," though in such a hurry as if afraid of being interrupted. He is quickly tried and convicted of murder and sentenced to death by hanging. "The Imp of the Perverse" begins as an essay rather than as a work of fiction, a format that Poe previously used in "The Premature Burial." It is, therefore, less about plot and more about theory. As Poe describes this theory: We stand upon the brink of a precipice. We peer into the abyss-we grow sick and dizzy. Our first impulse is to shrink away from the danger. Unaccountably we remain... it is but a thought, although a fearful one, and one which chills the very marrow of our bones with the fierceness of the delight of its horror. It is merely the idea of what would be our sensations during the sweeping precipitancy of a fall from such a height... for this very cause do we now the most vividly desire it. The work theorizes that all people have self-destructive tendencies, including the narrator. The narrator's ultimate confession as a murderer is not inspired by any feelings of guilt but, instead, from a desire to publicize his actions despite knowing that he should not. Contributor Bio:  Poe, Edgar Allan Author, poet, and literary critic, Edgar Allan Poe is credited with pioneering the short story genre, inventing detective fiction, and contributing to the development of science fiction. However, Poe is best known for his works of the macabre, including such infamous titles as "The Raven," "The Pit and the Pendulum," "The Murders in the Rue Morgue," "Lenore," and "The Fall of the House of Usher." Part of the American Romantic Movement, Poe was one of the first writers to make his living exclusively through his writing, working for literary journals and becoming known as a literary critic. His works have been widely adapted in film. Edgar Allan Poe died of a mysterious illness in 1849 at the age of 40.