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A Theory of the Tache in Nineteenth-Century Painting - Studies in Art Historiography ?ystein Sj?stad New edition
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A Theory of the Tache in Nineteenth-Century Painting - Studies in Art Historiography
?ystein Sj?stad
Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cezanne, Seurat.
176 pages, Includes 20 b&w illustrations
| Medios de comunicación | Libros Hardcover Book (Libro con lomo y cubierta duros) |
| Publicado | 28 de junio de 2014 |
| ISBN13 | 9781472429445 |
| Editores | Taylor & Francis Ltd |
| Páginas | 190 |
| Dimensiones | 243 × 167 × 17 mm · 560 g |
| Lengua | Inglés |
| Editor de series | Woodfield, Professor Richard |
