The German Symphony between Beethoven and Brahms: The Fall and Rise of a Genre - Christopher Fifield - Libros - Taylor & Francis Ltd - 9781409452881 - 28 de marzo de 2015
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The German Symphony between Beethoven and Brahms: The Fall and Rise of a Genre New edition

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It was Carl Dahlhaus who coined the phrase ?dead time? to describe the state of the symphony between Schumann and Brahms. Christopher Fifield argues that many of the symphonies dismissed by Dahlhaus made worthy contributions to the genre. He traces the root of the problem further back to Beethoven?s ninth symphony, a work which then proceeded to intimidate symphonists who followed in its composer's footsteps, including Schubert, Mendelssohn and Schumann. In 1824 Beethoven set a standard that then had to rise in response to more demanding expectations from both audiences and the musical press. Christopher Fifield, who has a conductor?s intimacy with the repertory, looks in turn at the five decades between the mid-1820s and mid-1870s. He deals only with non-programmatic works, leaving the programme symphony to travel its own route to the symphonic poem. Composers who lead to Brahms (himself a reluctant symphonist until the age of 43 in 1876) are frequently dismissed as epigones of Beethoven, Mendelssohn and Schumann but by investigating their symphonies, Fifield reveals their respective brands of originality, even their own possible influence upon Brahms himself and in so doing, shines a light into a half-century of neglected nineteenth century German symphonic music.


Includes 324 music examples

Medios de comunicación Libros     Hardcover Book   (Libro con lomo y cubierta duros)
Publicado 28 de marzo de 2015
ISBN13 9781409452881
Editores Taylor & Francis Ltd
Páginas 330
Dimensiones 242 × 220 × 30 mm   ·   774 g
Lengua Inglés  

Mas por Christopher Fifield

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