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Critical Race Theory and Copyright in American Dance: Whiteness as Status Property Caroline Joan S. Picart 1st ed. 2013 edition
Critical Race Theory and Copyright in American Dance: Whiteness as Status Property
Caroline Joan S. Picart
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.
243 pages, 6 Illustrations, black and white; XII, 243 p. 6 illus.
| Medios de comunicación | Libros Paperback Book (Libro con tapa blanda y lomo encolado) |
| Publicado | 7 de noviembre de 2013 |
| ISBN13 | 9781349458196 |
| Editores | Palgrave Macmillan |
| Páginas | 243 |
| Dimensiones | 150 × 220 × 10 mm · 299 g |
| Lengua | Inglés |
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