William Mason

The Lyrical Part of the Drama of Elfrida; As Altered by the Author, and As Spoken and Sung at the Theatre-royal in Covent-garden. the Music by Mr. Giardin William Mason

Publisher Marketing: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Harvard University Houghton LibraryN004199Anonymous. By William Mason. Without the music.London: printed for J. Dodsley; and T. Cadell, 1779. [2], v-19, [1]p.; 8 Contributor Bio:  Mason, William WILLIAM MASON (1719-1791) was born at Rotherhithe, Surrey, England. Initially he continued in his father's clock making business, but in 1740, his father died and he married Miss Cox. He attended church constantly at a Wesleyan church and but being dissatisfied attended a Whitefield church. His gift of writing soon became apparent and he wrote different publications and books. In 1777, he succeeded the Rev. A. M. Toplady as the editor of The Gospel Magazine, which he conducted for several years, and in which he first published his "Notes on Bunyan's Pilgrim's Progress." He was long known as a Justice of the Peace, and, in 1783, was appointed an acting Magistrate. His principal work, by which he is best known, is "A Spiritual Treasury for the Children of God."