James Ferguson

The Art of Drawing in Perspective Made Easy to Those Who Have No Previous Knowledge of the Mathematics. by James Ferguson, F.r.s. Illustrated with Plates.

Publisher Marketing: The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT018593With a half-title. London: printed for W. Strahan; and T. Cadell, 1775. xii,123, [1]p., IX plates; 8 Contributor Bio:  Ferguson, James James Ferguson is Associate Professor of Anthropology at the University of California, Irvine, and the author of "The Anti-Politics Machine: "Development," Depoliticization, and Bureaucratic Power in Lesotho" (1990). He is also coeditor, with Akhil Gupta, of "Anthropological Locations: Boundaries and Grounds of a Field Science" (California, 1997) and "Culture, Power, Place: Explorations in Critical Anthropology" (1997).