John Ruskin

Modern Painters Volume 5; PT. 6. of Leaf Beauty. PT. 7. of Cloud Beauty. PT. 8-9. of Ideas of Relation John Ruskin

Publisher Marketing: This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1860 Excerpt: ... A little lower, the current plunges, roaring, into a circular chasm like a well, surrounded on three sides by a chimney-like hollowness of polished rock, down which the foam slips in detached snow-flakes. Round the edges of the pool beneath, the water circles slowly, like black oil; a little butterfly lies on its back, its wings glued to one of the eddies, its limbs feebly quivering; a fish rises and it is gone. Lower down the stream, I can just see, over a knoll, the green and damp turf roofs of four or five hovels, built at the edge of a morass, which is trodden by the cattle into a black Slough of Despond at their doors, and traversed by a few ill-set stepping-stones, with here and there a flat slab on the tops, where they have sunk out of sight; and at the turn of the brook I see a man fishing, with a boy and a dog--a picturesque and pretty group enough certainly, if they had not been there all day starving. I know them, and I know the dog's ribs also, which are nearly as bare as the dead ewe's; and the child's wasted shoulders, cutting his old tartan jacket through, so sharp are they. We will go down and talk with the man. 12. Or, that I may not piece pure truth with fancy, for I have none of his words set down, let us hear a word or two from another such, a Scotchman also, and as true hearted, and in just as fair a scene. I write out the passage, in which I have kept his few sentences, word for word, as it stands in my private diary: --"22nd April (1851). Yesterday I had a long walk up the Via Gellia, at Matlock, coming down upon it from the hills above, all sown with anemones and violets, and murmuring with sweet springs. Above all the mills in the valley, the brook, in its first purity, forms a small shallow pool, with a sandy bottom cove... Contributor Bio:  Ruskin, John John Ruskin ( 1819 - 1900) was the leading English art critic of the Victorian era, also an art patron, draughtsman, watercolourist, a prominent social thinker and philanthropist. He wrote on subjects ranging from geology to architecture, myth to ornithology, literature to education, and botany to political economy. His writing styles and literary forms were equally varied. Ruskin penned essays and treatises, poetry and lectures, travel guides and manuals, letters and even a fairy tale. The elaborate style that characterised his earliest writing on art was later superseded by a preference for plainer language designed to communicate his ideas more effectively. In all of his writing, he emphasised the connections between nature, art and society. He also made detailed sketches and paintings of rocks, plants, birds, landscapes, and architectural structures and ornamentation. He was hugely influential in the latter half of the 19th century, and up to the First World War. After a period of relative decline, his reputation has steadily improved since the 1960s with the publication of numerous academic studies of his work. Today, his ideas and concerns are widely recognised as having anticipated interest in environmentalism, sustainability and craft.