See Notes Multiple Contributors

Emblems of Mortality; Representing, in Upwards of Fifty Cuts, Death Seizing All Ranks and Degrees of People; Imitated from a Painting in the Cemetery of the Dominican Church at Basil, in Switzerland See Notes Multiple Contributors

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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British Library

T139829

The preface by J. S. Hawkins. The woodcuts are by J. Bewick from Holbein. Re-issued [1810?] with the imprint: Newcastle, printed for William Charnley and the title 'The dance of death'.

London : printed for T. Hodgson, 1789. [4],xxviii,51,[1]p. : ill. ; 12°