Geoffrey Block

Charles Ives and the Classical Tradition Geoffrey Block

Publisher Marketing: Although Charles Ives has long been viewed as the quintessential American composer, he was also closely linked to the European classical tradition, say the Ives scholars in this book. Contributors explore the influences on Ives of his musical predecessors and the parallels between Ives and his European contemporaries, revealing him as culturally unique and yet reliant on the classical tradition for aesthetic philosophy and musical techniques. A stimulating and important contribution to Ives scholarship and to the understanding of twentieth-century music.-Larry Starr, University of Washington A valuable addition to Ives scholarship.-Library Journal Illuminates Ive's music by comparing it with that of other composers in Europe and the U. S. Begins with essays that examine the influences of his musical predecessors, and concludes with essays that find parallels between Ives and European contemporaries including Mahler, Schoenberg, Berg, and Stravinsky.-Reference & Research Book News Each of the essays in Charles Ives is provided with copious and detailed notes. A general index covers the entire book. This work is essential reading for scholars interested in Ives and his music.-Kathryn Bumpass, Notes Contributor Bio:  Block, Geoffrey GEOFFREY BLOCK is an Associate Professor of Music History at the University of Puget Sound. Contributor Bio:  Burkholder, J Peter J. Peter Burkholder is Distinguished Professor of Musicology at Indiana University. He has written and edited four books on Charles Ives, as well as numerous articles on topics spanning from the Middle Ages to the twentieth century for The New Grove Dictionary of Music and Musicians, Journal of the American Musicological Society, Journal of Musicology, Musical Quarterly, 19th-Century Music, Music Theory Spectrum, and other journals. He has served as President, Vice President, and Director-at-Large of the American Musicological Society and on the board of the College Music Society. His writings have received awards from the American Musicological Society, the Society for American Music, and ASCAP.