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Cezanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art Richard Shiff
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Cezanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art
Richard Shiff
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cezanne's painting. He shows how Cezanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cezanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.
336 pages
| Medios de comunicación | Libros Paperback Book (Libro con tapa blanda y lomo encolado) |
| Publicado | 15 de abril de 1986 |
| ISBN13 | 9780226753065 |
| Editores | The University of Chicago Press |
| Páginas | 336 |
| Dimensiones | 170 × 240 × 18 mm · 596 g |
| Lengua | Inglés |
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